Institute for Postnatural Studies. A Green Jade Lake, Centro Cibeles Madrid, 2021 - © Asier Rua
MAIA – Master of Arts in Interior Architecture
Interior Ecologies
The Master of Arts in Interior Architecture (MAIA) is a two-year professional programme that views interior architecture at the intersection of space, ecology and contemporary society. Space design is seen as multidimensional, articulating the diversity of interior spaces, objects and media that configure reality on many paths and scales, from material to virtual, and from local to global.
The programme focuses on mastering the professional aspects of the project and studying the public, private and commercial spheres of contemporary interiors, with a focus on the contemporary paradigms of ecology, digital innovation and inclusiveness. The MAIA programme addresses both the responses to contemporary environmental and societal challenges (circular economy, carbon footprint, etc.) and the implications of new ecological paradigms (post-human, non-human, etc.) for interior architecture as a discipline in all its professional dimensions: space design, contextualised furniture, virtuality and media, research, curation or cultural publishing.
The professional dimension of the programme includes full-scale project realisations and multidisciplinary training that addresses new interior ecologies. From the postmodern concept of sustainability in the 1980s to that of the Anthropocene in the 2000s and from the contemporary paradigms of environmentalism to the post-human glossaries of the 2010s, never in history has interior architecture produced so many spaces in which the human and the non-human (data centres, greenhouses, botanical installations, etc.) find themselves assembled in new configurations, calling for new ecosystemic action and thought.
MAIA: Curriculum
The programme is structured over 4 semesters:
MAIA 1 – Glossaries: A-, In-, Post-, More-than-Human Interiors
MAIA 1 explores the glossaries that have come to characterise our contemporary time. From the Anthropocene to the Capitalocene, and exploring endless iterations of the Post-, In-, A-, More-than-Human, this semester envisions a new environmental thinking that removes the possibility of understanding interior architecture, and the human, as autonomous and self-determined. This research-oriented semester is shaped by four autonomous studio tracks that deal with themes of Animals, Plants, Machines, and Humans.
MAIA 2 – Assemblages: Ecosystemic Interiors
MAIA 2 bypasses traditional dualisms between architecture for human/non-human, focusing on the entanglements between organisms and the interior environments with which they interact. This semester applies concepts related to ecological and computational fields such as biodiversity, metapopulations, trophic levels or the metaverse, among others, to reposition interior architecture as a discipline. This semester is practice-oriented, articulated around a core studio shaping the classes’ presence at the Salone del Mobile, in Milan.
MAIA 3 – Iterations: Endless Decentralisations
MAIA 3 celebrates interior architecture as a field of emancipation of any form of species domination or spatial, physical and virtual centrality. Students produce endless iterations and samples of interiors in the plural, developing their own glossaries on the interconnected condition of the technologies, networks and ecologies that define contemporary interiors. The semester is research-oriented, focusing on the core competencies of writing, editing, curating and research. Students set up their individual graduation track which will be further developed in semester 4.
MAIA 4 – Diploma: Decentring-the-Human
The final semester of MAIA is centred around the elaboration of the final graduation project of each student. A core studio shapes the semester, complemented by core-skills seminars that will help shape students’ post-graduate life.
* The language of the MA is English, with some classes in French.
HEAD - HEPIA. Archipelago Architectures, Geneva. 2021 © HEAD - Genève. Michel Giesbrecht
MAIA offsets drawing as the dominating medium for representing interiors, envisioning any form of media as potentially architectural, from writing to photography, drawing to cinema. The programme explores contemporary interiors as platforms of ‘expanded media’, examining their belonging to different places and temporalities, whether physical or virtual, close or distant, ultimately disassociating courses and studios from any a priori form of representation.
MAIA: Professional Projects
MAIA students regularly work in cooperation with designers on professional projects carried out together with institutions, leading to a professional career of international impact. Similarly, the department is visible at international exhibitions and on platforms, such as the Salone del Mobile in Milan or Design Parade in Toulon. The programme includes permanent cooperation with the Joint Master of Architecture (JMA) of the schools of Geneva, Fribourg and Burgdorf, and with École Camondo in Paris. The 2022-2024 programme will actively collaborate with Volume Magazine.
* MAIA enables its graduates to apply for registration on the Professional Register of Swiss Architects (REG A, Interior Architecture).
Herbarium of Interiors: A Milk Bar. HEAD MAIA with India Mahdavi & Youri Kravtchenko. Alcova Milan 2021 © HEAD – Genève, Michel Giesbrecht
MAIA: International Community
MAIA students work with an international community of interior designers, architects, artists, curators, and experts from different disciplines, constructing interior spaces that are articulated with the parallel narratives of magazines, films, exhibitions or publications. This transversal approach creates an arena of experimental conditions that proves challenging for teachers, students and real users.
Lecturers, speakers & guests include:
Vera Sacchetti, Design Critic and Curator. Driving the Human. Basel
Youri Kravtchenko, Principal at YKRA Interior Design. Geneva
Philippe Rahm, Principal at Philippe Rahm Architectes. Paris
Institute for Postnatural Studies. Centre for Postnatural Experimentation, Madrid
Leonid Slonimskiy, Principal at Kosmos Architects. Moscow
Lucia Pietroiusti, Curator on Art and Ecology. London
Marina Otero, Architect and Curator. Eindhoven
Bas Princen, Artist and Photographer. Zurich
Nicolas Nova, Anthropologist of technology. Geneva
Lilet Breddels, Director of Volume Magazine. Rotterdam
Andrea Dalmas, Principal at Ciszak Dalmas Interior Design. Madrid, Hong Kong
Line Fontana, Principal at Fagart & Fontana Architectes. Paris
Ana Luisa Soares, Principal at Fala Atelier. Porto
Ahmed Belkhodja, Principal at Fala Atelier. Porto
Simon Husslein, Principal at Husslein Design. Zurich
Kai Reaver, Digital Technologist and Theorist. Oslo
Michael Jakob, Architecture and Landscape Theorist. Geneva
Arjen Oosterman, Editor of Volume Magazine. Rotterdam
Dr Javier Fernandez Contreras. Head of Department
Valentina De Luigi. Scientific deputy
Damien Greder. Teaching Assistant
Camille Bagnoud. Teaching Assistant
Cécile-Diama Samb. Teaching Assistant
Phi Nguyen. Teaching Assistant
Herbarium of Interiors – Studio Youri Kravtchenko 2019 – HEAD MAIA © HEAD – Genève, Julien Gremaud
